That Floating Excrement Was Far Too Meaningful! It's the Television Letdowns of the Year.

As we reflect on the TV landscape of the recent year, a handful of series stand out not for their brilliance, but for their notable failures. From cringe-inducing sequels to bafflingly bad documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Plagued with dreadful writing, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. For a moment, as the final series began, it seemed as if it had finally found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Still, viewers undeniably found joy dissecting every single “wtf?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this drama's problems. The recipient of a very rare no-star review, it was difficult to know where to begin listing the flaws. The hilariously leaden dialogue? The tedious veneration of affluence and consumption? The almost wilful parade of tropes? Performances so bad they felt almost malicious? Suffice it to say “each and every one” and never speak of this series again. Except, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charming but flippant narcissist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other problems. Primarily that it was just really boring; a dispute over narcotics territory between various cockney picaresques which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s various forays into twee homemaking as deliberate statements. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about both Victoria Beckham and her journey with career, self-image, self-worth. But for some reason, this documentary series chose not to explore them. Instead, the experience was like reading a sales catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a glamorous star playing dead and a sharp-tongued personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How does one follow a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right tone, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? No! This international thriller about secret services targeting – and eliminating – intellectuals honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for sexual exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we wanted was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her infamy whatsoever. And to think, the filmmaker has a young daughter too.

Tamara Salazar
Tamara Salazar

Elena is a technology strategist with over a decade of experience in IT consulting and digital transformation, passionate about helping businesses leverage tech for growth.